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"Heaven is for Real" is a passable work of religious propaganda, but "Heaven Might Be For Real" could’ve been a truly thoughtful movie.
Pierre Dulaine, a renowned dancer, has decided to return to Jaffa, the embattled city outside Tel Aviv where he was born. He is bringing with him Dancing Classrooms, a program designed to improve young lives through ballroom dancing.
A powerful drama centered around an ex-convict’s surprisingly poignant friendship with a fifteen-year-old boy, "Joe" serves as a thrilling return to form not only for Nicolas Cage, but also for its eclectically gifted director, David Gordon Green.
Despite Jude Law’s captivating performance, "Dom Hemingway" is a caper comedy is search of a caper.
Just like an episode of a cartoon or a sitcom, every character gets something to do here, and yet none of them advance or grow in any way by the time the end credits roll.
The scares aren’t reflected in director Mike Flanagan’s spooky follow-up to his terrific debut film "Absebtia."
The director behind "Ghostbusters" and "Meatballs" certainly spends a lot of time and energy zigging and zagging on his way to a touchdown that never quite happens.
Words like "experimental" and "radical" are thrown around all too often when we talk about movies. But for "Under the Skin," those phrases may be accurate.
Despite its inspired performances from Michael Pitt and Nina Arianda, "Rob the Mob" is a flat, conventional crime drama based on the true story of two appealingly off-beat criminals in love.
When it comes to the big screen, the first Avenger is still the best Avenger.